Coming Back Down to Earth.....or MUD!

It has been an exciting time here for sure.  With the purchase of our new studio property and renovations getting ready to begin, I have returned to the studio, and returned to the mud.

When I first started with pottery, the clay that I used was a warm red brown.  Clay is found in many different types, colors, and consistencies and all of these work in different ways depending upon your application.

It happened that the first bag of clay available to me at the time was red brown, and so that is what I started with.

As I begin my pieces in clay, I visualize the end result.  So that when I begin, I know what clay I want to use.  Clay responds differently all along the process.  Some clay is more malleable and as such may not be good for hand building projects, some clay has more grog (sediment) in it and may just work wonders for particular throwing applications or three dimensional projects.  But all clay respond differently to glazes.  I made this little informational reference for my customers so that they could visualize how their clay choice would impact the end result of their custom pieces.  I learned a long time ago that it is always easier to start with a draft, this visual has been quite helpful.

I received a new custom order just yesterday, and seeing as the wedding is just around the corner, I decided to go ahead and get these trays underway.  They are going to be Wedding Thank You gifts from the bride and groom to their parents, and the wedding with be at a beach venue.  The bride and groom picked red brown clay, and a wonderful crab impression at the center piece.  These trays are still wet, but are well on their way to becoming a family keepsake.  They are a joy to make and I am looking forward to how these will come out.  The bride and groom have not decided on their glazes just yet, and that is part of the fun of custom orders, I get to create someone else's vision.

Feeling "Crabby"

This time of year, it is easy to hide away deep inside my studio and "coast".  But, this time of year has usually been when I try new things, experiment, and enjoy working with all things Spring and Summer.  This year is no different and I am feeling quite "crabby".

The temperature is below freezing outside and Daisy, Max and Sneakers (the cat) are all snug and sleeping in their respective beds under my work table, and I am glazing flowers, starfish, seahorses, bunnies, and crabs. Light glaze colors, and new layered combinations should be coming out of the kiln soon, but for now, I think you will get the gist with this fabulous crab wall pocket.  I love to make these hangers, and just really love and respect this vibrant blue.

It is funny how a potter learns which glazes are temperamental and which are tried and true. This one is definitely in the "tried and true" category, but when I experiment with layering, it has been disastrous in the past.  For this particular piece I went with the full on, true Spring blue and was very pleased with the result.

Next up, filling orders for custom pieces which have come in this month.  Getting ready for my Spring show at Ida Lee Park in Leesburg,Virginia, the first Saturday in March.  I will be taking all my new Spring/Summer pieces to that show along with a host of wall pockets and wall hangers.  I have not had that many with me at that show in a couple of years and customers always ask if I still make them, so I am coming back in full force and should have a lovely selection to share.

But for now, back to the studio to finish glazing, run the kiln, keep glazing and run it again! Busy week.

What a Difference a Day Makes

I have been struggling with presenting my pendants in photographs on my ETSY site.  When I take my pendants with me to shows they are a BIG seller, but my sales on ETSY have been lacking.  I know the problem is my photographs and so I set off to find a better way to present them.  I did a LOT of research, and did a LOT of trial and error photographing in various lights, various settings, but I think I have found a fairly simple way to photograph these pieces that hopefully should be able to be consistent as I move forward.

Here is the picture of the first listing I posted on ETSY.  I really like these stones and when I look at them, they appear to be a wonderful contrast for my pendants.  But when I get the pictures loaded onto the ETSY site, a LOT is lost in the translation.

Now, let's fast forward to my latest picture for this piece, I think showing them side by side really shows the difference lighting and background can make.

This is my second attempt at photographing the same pendant.

All I have to say is YEAH!!!  The color, dimension, relief and glaze are really represented so much better in the second photograph.  In the first picture the dimensional aspects of the piece were really lost and the piece appeared to have almost no relief.  In the second picture, I think you can really see the texture of the piece.

The solution was fairly simple.  I waited for a clear sunny day and found a monotone background, that was not black, set up the piece so that the sun was fully shinning on it, but there was no glare shinning off the piece, and I got to shoot away.

Here is the direct link for the ETSY listing for this fabulous and unique piece:
https://www.etsy.com/listing/118352281/horse-head-equestrian-pendant-necklace

While no two of pendants come out exactly the same, I am able to make sets for special occasions like weddings, birthdays, family celebrations and other special gatherings.  Here is a direct link to my ETSY shop listing for custom pendants: https://www.etsy.com/listing/117010598/personalized-bridesmaid-gift-wedding

Hopefully, these new pictures will help to show my customers the true nature of my pieces, I think in this instance, a picture really is worth a thousand words.